” rock of the sun ” (Loc. Capitello Dei Due Pini, Town of Paspardo, Val Camonica)

picture : I Camuni. Alle radici della civilta’ europea. Anati Emmanuel

“tracing of the” rock of the sun ” La civiltà della Valcamonica

Emmanuel Anati

N E U N A U: “between the stars” 

The symbol chosen by N E U N A U as its concept image is one of the most baffling figures among the wide range of prehistoric alpine iconography. It portraits a great central disc with 4 or 5 internal concentric circles, sided by two smaller circles and completed by three bundles of lines underneath. While this is its essential shape, several versions of this symbol exists, each one with its own characteristics and peculiar details.

“rock of the sun ”  photo by Fulvio Roiter

At first, this symbol has been linked exclusively to the Valtellina, one of the major valleys of Northern Italy where it was first identified but then, in recent years, the most recent findings prove that it was widely known also in Valle Camonica. It is mostly visible on steles and other engraved boulders, and belongs to the wide and varied iconographical patrimony of the Italian Copper Age spanning between 4th and 3rd millenniums BC.

 “caven 3” , town of Teglio (so)

“Borno 1”,town of Borno (BS)

These monuments are connected to the European cult of megalithic sanctuaries. In these ancestral places, intended for the cult of mythical ancestors (or even gods), series of rocks and boulders engraved with figures and symbols were placed in rows astronomically oriented towards the true north and standing vertical, facing East with their main side, towards the rising sun

natural phenomena

Mount Pizzo Badile (Capo Di Ponte, Valcamonica)

Mount Concarena (Capo Di Ponte, Valcamonica)

Indeed, precisely the “sun and stars” interpretation could be the correct one for the symbol of N E U N A U, if we consider the central disc (sun), the smaller globes (stars) and the lines underneath (rays of light). Archaeologists have seen this figure as a visual representation of a prehistoric deity, linked to the solar cult: this could be suggested not only by its shape but also by its position, always in the upper part of the engraved boulders, in the exact same spot occupied, in a great number of cases, by proper representations of the sun.

Some scholars have suggested that this cult could be linked to some type of feminine solar divinity, thanks to its recurring association with typical feminine objects (series of necklaces, pendants), and have thus called it “The Mother-Goddess” of Valtellina.

Other interpretations of this sign have been suggested, as the one that links its use as a “proto-sundial” yet, as difficult to explain as it is, this symbol retains a power and a primordial strength that reconnect us with our roots.

Paolo Rondini

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